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Rating:  - One of the Best Bibically-Based Films
This is one of the very best Bibically-based films ever, and it was also one of the best of the early "sequels." Taking up the story precisely where The Robe left off, it is an even more exciting continuing tale of the Greek slave, Demetrius, and his quest to protect the robe worn by Jesus at His crucifixion. The gladitorial combat scene, where Demetrius avenges the assumed death of his sweetheart, and subsequently renounces his faith, is one of the most memorable ever, and actually rivals that of Russell Crowe in "Gladiator." A must for the Easter season, or for any time one needs a reaffirmation of faith or inspiration.
Rating:  - A film that surmounted the acidic test of time!
Demetrius and the gladiators is 'possibly one of the finest and exciting about the biblical epic. The movie in question depicts the last days of Caligula around the untiring search of the Holy cloak; the capture of Demetrius and his forced incursion into the gladiator' s epic, his sudden loss of faith when he fervently is seduced by Mesalina and finally the death and rise of Claudius.
There are brilliant and realistic sequences of brave fights on the Imperial sand but the film abruptly ends; and one leaves the hall firmly believing if it was question related with the budget.
Fortunately the precious Susan Hayward gives a tour de force acting who makes us to forget on one hand the awful performance of Caligula (absolutely flat and pasteboard) the straight stone faced of Victor Mature whose inexpressiveness was pitifully its main enemy to achieve a major status in Hollywood.
But there are justified moments of emotion all the way through, for kids and adults.
Rating: - An exciting epic sequel, fashioned according to the manner of Hollywood in the '50s
Demetrius and the Gladiators is a very good movie, in the classic sense of that term.
Many people of his time adored Victor Mature, while critics sometimes claimed he was melodramatic, but Mature was impressively right for the majority of films in which he was cast. The studio system was smart that way.
In this case, Mature brings the drama to life almost single-handedly, and certainly carries off this cast-of-thousands sequel to THE ROBE beautifully. Mature was well suited to the 50s sword-and-sandal trend, and I'd say this film, along with DeMille's equally good SAMSON AND DELILAH, are among his best performances of the period.
This film is a respectable and interesting sequel to THE ROBE, and unequivocally worth seeing. What's more, I can't agree that Jay Robinson is "over the top" -- he's just as fascinating a villain as he was in THE ROBE, and we're lucky to have more of him in the role in this movie. Considering that Robinson became, by all accounts, mentally obsessed with his character of the Roman emperor in these two films for the rest of his life, I'd say this movie is even more fascinating in that regard. Robinson is one of those actors who proves the old saying that it only takes one stand-out performance to secure an actor's place in history forever. Robinson's performance is easily the best Roman emperor ever committed to celluloid up until now, I CLAUDIUS notwithstanding.
In short, don't sell this movie short, or you'll be the worse for it. The movie's tone is certainly different from THE ROBE, but it is a genuinely satisfying Hollywood entertainment of a fairly high order. The budget is generous, the cast is excellent, and the movie looks very good in all the most important aspects as a result. Feel free to bring popcorn, and I'd recommend a Kleenex as well.
Rating: - Robe Sequel drawn from "The Big Fisherman" Lloyd C. Douglas Novel
In an age when Hollywood was not fond of making sequels (1954), we have here a continuance of the story of the Robe of Christ and the Christians who were dedicated to it's preservation after Tribune Gallio (Richard Burton) is martyred at the end of 1953's "The Robe", an extremely popular Christian epic. The plot follows Demetrius (Victor Mature) as he experiences what Christians call "backsliding", due to a perception that his love is dead at the hands of some drunken gladiators. What follows is a tremendous example of revenge and eventual redemption of a man overwhelmed with grief and filled with hate. The Gladiator scenes are wonderfully done. The colors and production in Cinemascope stand out and some of the continuing performances such as Jay Robinson are worthy of an Academy Award nomination, as Robinson gives his heart to the role of the manic Caligula, believing himself to be a God and eventually being killed at the hands of his own guards. The revenge scene against the Gladiators is Great! Demetrius grabs a sword and kills them one by one in the arena as his opponents are forced to face him under the whip of Ernest Borgnine and the hot-smoking poker of Demetrius's friend. "These aren't the rules" says a gladiator full of fear at Demetrius's blood lust for their deaths. "We're changing the rules!!! replies Borgnine as he chases the rest of them out to die. WOW! One of the better Gladiator movies since Spartacus and although Crowe's Gladiator is excellent and funny in spots, this movie from the 50's is a classic rendering with bad guys you love to hate! Well recommended, but make sure you see "The Robe" first to know what is going on.
Rating: - The way a sequel should be
This is a sequel to "The Robe" and introduces some themes that are harder to accept. Demetrius asks God to help his love escape (rape or worse), and God apparently takes her life. At that point he loses faith, denies his Lord and pursues taking things into his own hands. He isn't happy, although he fills his life with accolades and physical pleasures. Sent by the mad emperor to retrieve the robe of Christ, he finds that his lady love actually alive - in some kind of shock / coma. He realizes how he has betrayed Jesus and repents. The girl comes out of it and he gos back to face the emperor without the robe.
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