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Rating:  - More twists than a pretzel factory (4.5 stars)
If I could remember who suggested I watch this film, I'd thank them publicly here. "Witness for the Prosecution" is one of the funniest and most fascinating stories I have watched. Leave it to Billy Wilder and Agatha Christie to concoct a story that'd keep viewers on the edges of their seats.
Sir Wilfrid Robarts (Charles Laughton) is known as the 'champion of lost causes.' He's the barrister's barrister and the fox. He's also just recovering from a heart attack. The old curmudgeon is also stuck with a nurse, Miss Plimsoll (Elsa Lancaster), who continously talks babytalk to him.
"Just roll up your mouth, you talk too much. If I'd known how much you talk I'd never have come out of my coma," he tells her--and worse.
Doctors have ordered Sir Wilfrid to rest, stop smoking, drinking, and only try civil suits. When he hears about the case where gigolo Leonard Vole (Tyrone Power) is accused of killing Emily Jane French a wealthy older woman, he cannot resist to try the case.
Everything's going well til Christine Helm-Vole (Marlena Dietrich) takes the stand and unbeknowst to Sir Wilfred beforehand testifies for the prosecution.
Can the old fox still get his client off? This story has more twists than a pretzel factory. The dialog, particularly Sir Wilfrid's, is some of the best I have heard. The end literally had me up and out of my seat.
My only reason for a half-star deduction is because the black and white rendering on the DVD is very dark and makes it occasionally difficult to view without doing some contrast adjustments. Still, this film is very worth watching and I suspect I will want to see it again and again.
Rating: - The Finest Agatha Christie Adaptation
Billy Wilder's brilliant adaptation of Agatha Christie's Witness for the Prosecution is easily one of my favorite films. It's nothing short of perfect. The script is perfectly wit. The performances are extraordinary, and the direction is flawless. Every scene appears and moves fluidly between each other. This is a great movie. One from the genius Billy WIlder.
It's a murder trial. Leonard Vowe is on trial for killing a wealthy lady. The plot has enough twists and turns to fill a stadium. Plus, the movie never seems long, and it keeps you wanting for more. Billy WIlder shows just how wonderful of a director he is. As well as how extraordinary his writing skills are.
The DVD offers very little. A trailer and not much else.
Must See.
Rating: - Witness for the Prosecution
Adapted from Agatha Christie's celebrated stage play, Billy Wilder's quintessential 1957 courtroom drama steadily builds narrative tension with its crisp, cynical dialogue. Surprises of identity, double and triple crosses, and a succession of plot twists keep this "Witness" from becoming predictable. Laughton and real-life wife Elsa Lanchester, playing Robards's meddlesome nurse, both won Oscars for their roles, but it's Wilder's razor-sharp script and direction that make this mystery tick. Sadly, this was Power's last completed role.
Rating: - A highly skilled and professional movie, with four highly skilled and amusing performances
"I'll snatch her thermometer," snarls the aging, portly, brilliant, irascible London barrister Sir Wilfred Robarts, just back in his office after spending time in a hospital recovering from a heart attack, "and plunge it between her shoulder blades!"
In Witness for the Prosecution, based on an Agatha Christie story and popular stage play, Sir Wilfred (Charles Laughton) is referring to his personal nurse and attendant, the chirpy and determined Miss Plimsoll (Elsa Lanchester). Sir Wilfred has strict instructions to give up everything he holds dearest, namely brandy, cigars and the excitement of criminal defense cases. Nurse Plimsoll is there to see that he does, as well as to give him his injections, make sure he swallows his pills and tuck him in for his afternoon naps. In an effort to sneak a cigar that first day back in his office, Sir Wilfred finds himself intrigued by the case of Leonard Vole (Tyrone Power). Vole is a charming, too charming, man whom we don't quite trust. He has been charged with murdering a rich, silly woman...who coincidentally changed her will in Vole's favor a week before her death. Vole stands to become a very wealthy man. There is means, motive and opportunity, and for Sir Wilfred, there is a challenge. Vole swears he's innocent, but his story is not altogether plausible. His only hope, and a shaky one it is, is the testimony of his German wife, Christine (Marlene Dietrich). She has supplied an alibi, which cannot be verified, but at least she cannot be forced to testify against her husband. Then, when the marriage is found to be invalid, who should decide to become a witness for he prosecution? Sir Wilfred is mortified but even more determined to save his client.
The case, full of startling twists, legal shenanigans, first-rate performances and vivid characters, ends with a typically Agatha Christie surprise. Some argue that Christie perhaps was weak as a writer, but peerless as a storyteller, able to construct mystery plot puzzles that consistently stumped her readers until the last chapter. With Billy Wilder directing and Wilder and Harry Kurnitz, an old pro, providing the screenplay, Christie once again gives a surprise twist that leaves us open-mouthed, yet smiling at her cleverness. Thanks to Wilder and Kurnitz, we also have a conclusion that involves Sir Wilfred and Nurse Plimsoll that is immensely satisfying. If only there had been a sequel.
The four leads do marvelous jobs. In a way, the movie is about two relationships, not just one. There is the relationship between Vole and his wife. They met when Vole was a sergeant stationed in Germany right after WWII. He met Christine when she was earning money entertaining in a dive for soldiers. We see some of this in flashback. With Vole's opportunistic charm and Christine's cool manner, it's difficult to determine who, if either of them, is using whom, or to what degree love enters the picture. Christine's first entrance is memorable. Says Sir Wilfred to a group of fellows awaiting Mrs. Vole, "Be prepared for hysterics and even a fainting spell. Better have smelling salts handy and a nip of brandy." Then in walks Marlene Dietrich as Christine Vole, with perfect assurance. "I do not think that will be necessary," she says to Sir Wilfred. "I never faint because I am not sure that I will fall gracefully and I never use smelling salts because they puff up the eyes. I am Christine Vole."
In the second relationship, Sir Wilfred and Nurse Plimsoll provide the acerbic and mutually bullying comic relief for the movie. The two actors, however, married in real life, manage to develop a touching inter-dependence. It's not just a smile they give as at the end, but also a modest lump in the throat.
And personally, I was delighted to see Henry Daniell in a substantial secondary role. He plays Mayhew, the solicitor who brings Vole to Sir Wilfred. Daniell could look like he was sneering with disdain even if he was just admiring the view. He played some wonderfully upper-class cads and villains in a lot of so-so movies. He also was a first-rate actor, who, given the chance, could also play serious, concerned men, the kind you wouldn't mind having for a friend. He does a fine job here.
The movie, filmed in black and white, looks very good in the DVD transfer. There are no extras to speak of.
Rating: - From the Old School!
"Witness for the Prosecution" is a first rate courtroom drama with razor sharp direction by Billy Wilder and a cast to die for. As the plot opens, "nice guy" Tyrone Power stands accused of murdering a wealthy widow. Unemployed and shiftless, he reminded this reviewer of Ray Milland in "Dial M for Murder". TP was the last known person to see the demised alive, has a shaky alibi-and is in the lady's will for big bucks! TP turns in desperation to big shot London lawyer Charles Laughton. In fact, Scotland Yard busts him in CL's office! Most have already commented on the lively courtroom drama but this reviewer admired the out of court sparring too as Laughton and his colleagues prepare for trial. Just out of the hospital, CL is perfect as the curmudgeonly and crafty barrister, even if he does tear up most of his scenes. His tart banter with his nurse (Elsa Lanchester) is softened by the knowledge that she was his real life wife. There are at least 3 huge plot twists to WFP, leading this observer to write a concise review in the interests of not divulging the ending. That leads us to female lead Marlene Dietrich: She is central to those twists- watch her closely! MD played 30 movies from 1930-1965; was she ever better than here? Hollywood took notice of WFP: It was nominated for Best Picture, Best Director, Best Actor (Laughton) and Best Supporting Actress (Lanchester), though winning none. Dietrich was ignored by the Academy but nominated for Best Actress by the Golden Globes. How many times were husband and wife nominated together? WFP is filmed is beautiful black and white-a lost art-and features true economy of sets, perhaps reflecting its' stage origins. This review tried to maintain an aura of mystery about the ending; there is a good deal more suspense than implied here. Like the header states, WFP is a winner from the old school -one that has long since been out of session.
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